Creative ballet photoshoots are so much fun. I asked Mike if I could do a quick shoot with Amelia after he had finished filming. Wow, I was so glad I did. Amelia was not only an amazing dancer but worked the camera as if she’d been modelling for years. In fact, I could not believe this was her first-time modelling … ever!
The shoot took place on the white, infinity curve at Natural Light Spaces (just before the refit). Amelia wore white leggings and leotard for the first set and a red tutu for the second. Her face makeup was a white base with beautifully made up eyes and enormous eyeslashes. Mike put together his mood board to share his concept.
Planning and Preparation
I had put together a mood board for my creative ballet photoshoot on Pinterest, which really helped define the looks I wanted. I was aiming for a mixture of the grace and beauty of a swan, along with a strong, fierce and a bit of an ’out-there’ look. My ideas could have been a bit ambitious but Amelia got it, again and again. After showing her the image idea, we just put our own spin on the look.
I didn’t realise until Amelia pointed it out, that one of the images used on my board, was from the all male cast from Mathew Bourne’s Swan Lake. I did some further research and would recommend looking through the incrediable images (even if you’re not a ballet lover).
#Look One – White
When it was my turn to shoot Amelia, we began with her wearing the white, which worked perfectly for the swan-like, graceful movements, with an edge. Amelia got it perfectly… just look at those eyes!
Amelia recreated a smiliar look when she ended in her dance routine. I asked her to look up, which I thought finished the shot perfectly.
Look 2 – Red Tutu
We carried on with the swan-like angles and then added the red tutu, loaned from Dancique. I thought this pop of colour, complemented the eye makeup perfectly.
Equipment and Settings
I used my Nikon D610 and 50mm lens (Nikon prime). My camera settings were: F7.1, ISO 100 and Exposure 1/160 for each of my images. Trish helped me get the lighting right, as I wanted a pure white background.
I used Adobe Lightroom to organise and chose my final images to edit. All I needed to do was add a little exposure and sharpen. I made the bottom of some of the backgrounds a little whiter and that was all the editing required 🙂 #happydays
At the end of a shoot, I always try and leave a little time for a bit of creative fun. After exploring Tris’s prop supply, we found a black feather boa, which I thought looked really good with a dash of red. We finished off by putting the red tutu on Amelia’s head, which actually worked well, considering it was for a bit of fun.
Using the Neewer 18inch LED ring light, we had a little bit more fun.
My shoot with Amelia was amazing. I enjoyed working with such a talent and look forward to working with her on another creative ballet photoshoot soon. You can view more of my work on my portfolio.
Here is the full article in PHOTOSHOOT Magazine [Issue 28]. You can view the rest of the issue free here
Mike’s behind the scenes video …